
Thereâs a reason I only make ring jugs at Halloween time. Â Creating this giant ring jug is probably the scariest thing (to me) that I make in clay. Halloween season seems the appropriate time to make this beast.
I start out with great plans. When I planned this ring jug, I knew I needed to make the three pieces thrown – foot, ring, and spout, with the handles added last. Planning is easy and fun.
âIâve done this several times before, so why havenât I made more?â I thought. Â Ha! Ha! Ha! I remember now.
The Clay Plot Begins
Next, I make sure I have the materials lined up that are needed. Â Some of the things in my life are running a bit tight/low. For instance, time. Time is a precious commodity. Another thing that is a precious commodity to me is Highwater Clayâs Phoenix ^10 clay. It canât be bought today since Highwater Clay, the best and nearest-to-me clay maker, was washed away in Hurricane Helene two years ago. Â So I have been hoarding the remainder of my Phoenix and religiously working the few pounds of reclaim l have left. This large piece is made of nearly the last of the clay. I can make some small pieces with what I have left, but this is my last large piece. I feel sorrow and nostalgia.
Cobbling Together the Pieces
Thirdly, I make the pieces. In the best case scenario, I would have thrown all three pieces at one time. I did not have the time to do that. So I threw the ring first, waited a few days with it under plastic wrap, and threw the foot base, and the spout. On the day to trim and assemble I was lucky enough to get some lovely sunny, warmish weather. That meant I could stick the pieces out in the sun to stiffen up a bit. After which I trimmed them.
Like much of my life, this is where the reality didnât exactly meet my dreams. When making a ring jug it is critical to have the pieces at exactly the right consistency so that they would be firm enough to hold, but damp enough to accept joining to each other. Basically leather hard with some give. This is nothing unfamiliar to other potters. But with large pieces, it gets even more critical.
Where Reality Meets the Nightmare
It turned out that even with the sun, the pieces werenât drying as well as Iâd like. So the ring had to sit out double time. While I waited, I trimmed the base and formed it to the shape I needed to hold the ring. Eventually the ring seemed solid enough to trim. Nope, it bent when it was handled. Terror! I didnât want to ruin this piece!
So I carefully flipped it onto a piece of drywall board. Let me tell you, flipping a huge ring on 4â x 4â dry wall pieces is scarily awkward for me. It turns out that I could do that flip successfully about 5 times. Â Â
While waiting I carefully babied the foot piece. That is a tricky piece of work. It has to be dry enough to support the weight of the ring, but damp enough to do a major bend around the ring. So I kept the top of the foot spritzed with water, while keeping the bottom leatherhard dry.
Eventually, the ring was dry enough that I could trim it. So that was a relief. Then I set it onto the foot. The foot bent! Scary!
The Horror Continues
I removed the ring, laid it aside, and using a heat gun, stiffened up the base a bit more. I was hoping that the clay of the foot would not get overly dry. If it did, it would crack and be useless. Eventually, I deemed it dry enough, and put the ring into the cradle of the foot.
As I gently bent the clay around the ring, it seemed to hold. Yay!
So next I created the appliqués. I put the first appliqué on the foot, and the whole ring jug leaned to the left. I was able to catch it before it totally collapsed. Terror! Terror!
âWhat to do, what to do?â I panicked. Â I had already connected the foot to the ring, so I could not just lay down the ring. (The foot was wider than the ring.) Carefully holding the stiff giant ring in one hand, I made my way to the shelf where I had large foam pieces and pulled a couple of the pieces down. Then I made my way to the slab roller and stacked the foam pieces onto the roller table.
After that, I gently laid the ring part of the jug onto the foam while leaving the foot hanging off of the side. I then quickly got a stool, a couple of turntables, a box and a giant sponge. That was my support for the edge of the foot so gravity wouldnât take the foot from the ring.
Saving this jug
I then did my best to straighten out the walls of the foot and used a heat gun on it. The top of the foot on the bottom side was pulling away from the ring, so I carefully flipped the whole thing over and repaired that. Eventually, the ring was finally stiff enough to stand again.
I watched this thing like a hawk as I applied more appliquĂ©s, and eventually the spout and the handles. I took a few photos and wrapped this up in plastic. The pieces really need to get the moisture levels homogenized to prevent cracks. Iâm hoping this piece is still standing when I get back to the studio.
Will let you know!























